Mark Raymond Mason Fine Art Abstract Photography
 

Daily Photo Tips Archive: Page 1

 
 
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Daily Photo Tips Archive ~

These photography tips are a record of entries from the Daily Photo Tips RSS feed since its start in November 2007.  If you're feeling lucky, try out the Random Photo Tip tool!  Contact Me to add your own tip ideas, or to comment on an existing tip.

 

Try combining colours that interact strongly with one another, like yellow and blue. Colours that clash can add energy and rhythm to your photograph. (Dec 13, 2007)

 

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Pinhole cameras are simple (usually homemade) cameras constructed with a tiny hole as the lens. This hole focuses the light onto a piece of film or photo paper in a light-tight box. (Jan 5, 2009)


Believe it or not, seeing a photograph as a representation of a real object is a learned behavior. People without any prior exposure to flat representational art struggle to connect that flat medium to the real life object. (Jan 4, 2009)


A photographer with a very recognizable photographic style can often be identified by their photographs. Even one or two images in a distinctive style may be enough to guess the creator. (Jan 3, 2009)


A lens's 'nodal point' is the point to which all rays of light converge as they pass through the lens, before diverging to form the image on the image plane. (Jan 2, 2009)


Most photographers specialize at least to some degree. Don't expect to master every nuance of every type of photography - very few photographers in history have ever done so successfully! (Jan 1, 2009)



The primary additive colours are red, green and blue. When red, green and blue lights are added together in varying degrees, as in a computer monitor, any colour of the spectrum can be produced. (Dec 31, 2008)


In general, overexposed objects will 'flare' and begin to spill into other areas of the image. This does not always have to be a bad thing - instead of avoiding it, try using flare as a design element. (Dec 30, 2008)


If you transport your camera in very rough conditions, consider buying a shockproof, crushproof, waterproof case. The case won't be practical as a camera bag, but will ensure your camera's safety. (Dec 29, 2008)


The environment a person grew up in will strongly affect how they react to your art. In more abstract cases, where a person has spent most of their life will dictate what they 'see' in your work. (Dec 28, 2008)


If you work in very cold weather a lot, consider buying (or building) an external battery pack for your camera. This will let you use more batteries at once and will let you keep them warm close to your body. (Dec 27, 2008)


Rainbows are always about 84 degrees wide - that means that a full circle rainbow (really only visible from the sky or atop a tall mountain, with the sun at your back) will require a 20mm or wider lens to capture it all. (Dec 26, 2008)


Film usually consists of at least three layers - a light sensitive emulsion, a plastic base, and a light absorbent anti-halation layer. Some films have more layers, such as colour-correction layers. (Dec 25, 2008)


When autofocusing or manual focusing, be sure to focus on a detail in the photo. Focusing on blank space or a non-detailed subject can result in an out-of-focus photograph. (Dec 24, 2008)


Professional photography does not work for everyone - before going pro, consider what you'll have to do to make money. There's a chance that it might not involve doing what you enjoy most about photography. (Dec 23, 2008)


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